Following a wide ranging audition period that saw applications from across Cornwall and beyond, four cast members for Jonny Dry’s latest production An Tarow have been announced ahead of production which is due to take place in October.
Jackson New stars in the lead role of Peder, whilst Bryher Flander’s plays the lead speaking role of his mother. Other cast members in Kate Edney in the role of Miss Morveren and Tim Cartwright as Mr Cormoron.
Jackson New’s previous work includes recent local featuer Long Way Back directed by as well as Earth Beneath My Feet with was screened at Canne in 2017. He has also appeared in ITV’s Poldark and The Guernsey and Literary and Potato Peel Pie Society starring Lily James.
Bryher Flanders graduated from the University of Bristol in 2015 and has built on her experience in the National Youth Theatre with roles in Zoe Alker’s Bit Red, Guy Watson’s The Mousehole Cat and Izzy Tennyson’s Grotty. She continues to tour across the southwest with a variety of theatre groups.
Kate Edney comes to An Tarow following a successful run of Canvas and Rum directed by Jason Squibb as part of North South Theatre. She also had roles in Brett Harbey’s Long Way Back as Rachael and Audrey in Martha Tilston’s debut feature The Tape. In 2018 she appeared as Oshi in Oceana of the Sea at the National Maritime Museum in Falmouth.
With experience both in theatre and film, Tim Cartwright’s recent credits include James Osben’s Macbeth as well as appearing in the short film Mermaids directed by Yazmin Joy Vigus. He has also had numerous appearences with The Inn Theatre Company in Dartmouth including Othello and Goodnight Mr Tom. His film experience includes credits in The Black Knight, Excalibur Rising, Mordred, and World of Dreams.
With these local Cornish actors now cast, work begins in the coming weeks on rehearsals which will be supported by the Cornish Language Office to sensitively bring the Cornish language to the screen.
Recipients of the Cornish Language Office (CLO) 2019 FylmK award are set to produce their latest film this coming autumn. In a hard-hitting drama that deals with both the challenges of domestic abuse and Cornwall’s folk history, screenwriter Samuel Jay Chessell and director Jonny Dry’s Cornish language drama An Tarow (The Bull) is an ambitious film that looks to shed a light on the lesser seen areas of the county.
Set in the present day, the film is scheduled to be produced in October across inland and coastal Cornwall, including Camborne, Redruth and West Penwith. With early fundraising secured through the CLO, the production team are now looking for further crowdfunding from the Cornish community to support the production and help bring the Cornish language to the big screen. More information can be found here.
With a number of local crew and cast set to be involved, the production team is also utilising the support of local primary schools – some of whom have already developed successful Cornish language projects through the support of Golden Tree – to provide further opportunities for schools to witness the Cornish language being successfully used.
The FylmK fund is part of the on-going work by the Cornish Language Office to increase the use of Cornish across the county. Since 2011 the CLO has been working with schools, colleges, local organisations and the wider community to encourage engagement with the Cornish language. Other on-going projects include Radyo an Gernewegva, a Cornish online radio station; music and dance festival Lowender Peran; and two learning and communications projects to develop both social and technological engagement with the language.
To aid the funding of the production, the team behind An Tarow are turning to the wider Cornish community and beyond to help raise extra funds which will allow for the production to bring on extra resource for both production and post-production. They hope such an appeal will be of interest to anyone who has a passion for the Cornish landscape but also seeing the Cornish language represented on screen.
Speaking about the fundraising project, producer Ella Turner said, “we hope that this will be a real opportunity for local people to become directly involved with the production and take ownership over a grassroots project. Fundraising in this way, alongside what we’ve received from the Cornish Language Office, is a great way to reach out to a community of people early on and create a real relationship with those who want to see this project made.”
Speaking about the vision for the film itself, director Jonny Dry said “what really made this project so interesting was the balance that Sam’s script struck between a modern day setting with the more lyrical Cornish language and folk history. For me what this project about is twofold: making these important parts of the county’s culture and history relevant to a contemporary Cornwall; but also highlighting issues, and areas of the county, which often go under the radar in many depictions of Cornwall. Film is a great way of making this accessible for all; telling a powerful and emotional drama where the language feels part of the drama and enhances the issues the film is raising.”
Speaking about the up-coming production Mark Trevethan from the CLO said, “it was another strong year for submissions and we are excited to see how An Tarow comes alive on screen. FylmK is an annual competition to create new film in Kernewek, the Cornish language. The aim is to give opportunities for film makers in Cornwall to tell original stories in our language, and for audiences to hear Cornish being spoken.”
Cornwall Council continues to fund the Cornish language programme. This is intended to ensure the protection of our endangered language and support its continued use and contribution to economic and social life in Cornwall today. Cornwall Council provides strategic leadership for the programme, promotes official use of Cornish and puts in place core infrastructure to support the network of volunteers and community groups.
Over the August Bank Holiday, Third Quarter picked up two awards from its five nominations at the New Renaissance Film Festival. With five of the cast and crew who worked on the project in attendance at the awards ceremony in Soho – Joe Newton, David K. Whiting, Jonny Dry, Dan Baboulene and Samuel Jay Chessell – the film was recognised in both the Score and Mystery categories.
For the score both Dan and Jonny accepted the award before paying tribute to the work of Alexander Wells who could not attend but contributed an immense amount of work to the quality of the music as sound engineer and producer. Jonny as well thanked the immense amount of hardwork that both of them had put in to writing and producing an impressive and deeply moving piece of string-based composition.
Upon receiving the award for Best Mystery Short, Jonny thanked the selflessness and support of co-producer Samuel Jay Chessell and also the festival team for organising such an impressive weekend of short and feature films.
Other nominated films included Tara Fitzgerald’s Nothing Important, Aurora Fearnley’s Pulsar, and Gregory Nice’s Love I Have Known. The standard of films this year was incredibly high, and more broadly the festival recognised a huge range of documentary, experimental and narrative work as well as LGBT and international filmmaking.
Third Quarter’s other award nomination for Best UK Actor for which lead actor David K. Whiting was nominated, was awarded to Craig Parkinson for his role in Futures. The award for Best Set Design went to Belle Mundi for Pulsar and Nothing Important was recognised as Best UK Short.
A packed crowd attend the Courthouse Hotel in Soho for networking drinks before the ceremony which was introduced by Festival Directors Jan Hendrik Verstraten and Massimo Barbato and hosted by TV presenter Anya Patel. Across the board filmmakers thanked the dedication of their teams in producing the various films and acknowledged the importance of indie filmmaking which the NRFF supports. Tributes were also repeatedly paid to Jan and Massimo for their hard work in bringing together and excellent three day festival that had full auditoriums for many of the screening slots. Other award winners can be found here
This is the latest success for the Third Quarter team who have also been be recognised at other UK festivals, including the Newlyn International Film Festival and Heart of England Film Festival.
Jonny Dry’s latest short film Third Quarter has been selected and nominated for this year’s three day New Renaissance Film Festival in London. The growing festival network – which has gone on to establish itself in Amsterdam and a further LGBTQ festival – looks to promote ‘stories that are genuinely imaginative, emotional and positive.’
Alongside a varied programme of short, feature and documentary work, Third Quarter will screen on Saturday at the Close Up Cinema in Shoreditch alongside Cameron Richards’ The Sea starring Anna Friel, Russell Tovey and David Elliot; and Rena Dumont’s Hapless Hans.
On Sunday many of the team who worked on Third Quarter have been nominated across a range of categories that speaks volumes for the team’s dedication to the producing the film which was released earlier this year. Tickets for both the screening and awards ceremony can be booked here.
Lead actor David K. Whiting is nominated for Best Actor for his portrayal of Will. Dan Baboulene and Alexander Well’s impressive string based score featuring Makoto Nakata on the violin and Cristina Cooper on the cello is nominated for Best Score.
Elsewhere the work that went in to constructing and dressing the bookcases and books is recognised with a nomination for Best Set Design and there are also general nominations for Best UK Short and Best Fantasy/Mystery short.
The project, which Jonny began writing back in 2015, depicts the inner psychological turmoil of memory loss and dementia to the explore the emotional impact such confusion can have as one’s sense of identity is lost. Drawing from a range of scientific material that researched the psychological impact of such conditions, Third Quarter was supported in-kind from Falmouth University and with principle photography commencing in the summer of 2016 before a long two year post-production process that included visual effects work from a Netherlands-based team that featured close collaborator René Huwaë.
Third Quarter has gone on to also be recognised at other UK festivals, including the Newlyn International Film Festival and Heart of England Film Festival.